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If you’re into stuff like being outside, at night, while wearing vintage band tees, I recommend you check out the hot new Travis Scott album Birds in the Trap Sing McKnight, in stores now.
![travis scott birds in the trap sing mcknight clothing travis scott birds in the trap sing mcknight clothing](https://www.picclickimg.com/d/l400/pict/182394276680_/Travis-Scott-Bird-In-The-Trap-Sing-McKnight.jpg)
Your friends might admit it could have been better “lyrically” and recommend you check out Rodeo, where Travis really lays down his “life story” or something. No one will complain if you play this at a party. He moves to a steep falsetto after mirroring the melody of the hook, stuttering and stopping to catch his breath but moving again before you can even catch a glimpse.Īll in all, the new Travis Scott album sounds nice. Kendrick himself makes an appearance and drops the best verse of the entire album, alternating flows like he’s trying to dodge the beat. The Cardo and Yung Exclusive beat is reminiscent of the atmospheric tones that characterized Kendrick Lamar’s untitled unmastered., but with Travis’s knack for earworm melodies and textures layered on top. The album’s standout track, “Goosebumps,” has shades of “Antidote” - Travis’s most successful pop crossover attempt thus far. Kid Cudi finally collaborates with his surrogate child, humming for most of his verse before rapping about dimethyltryptamine and “effervescent vibes.” Paying homage, Travis actually interpolates lyrics from Cudi’s 2009 smash hit “Day ‘N’ Night,” another song about not sleeping. “Through the Late Night” is a song about staying up late, at night, while your parents sleep down the hall. Swizz’s voice echoes and reverberates off the walls of Travis’s imaginary trap neon-haired friends nod in enjoyment. “Way Back” features classic GOOD Music ad-libs and Swizz Beatz vocal samples while lifting a synth melody straight from MadeinTYO’s “Uber Everywhere.” Travis juxtaposes nostalgia for Dark Twisted Fantasy-era West with newer and more disposable SoundCloud-rap, which is actually a creative palette unique to him. The track feels mostly inspired by Metro Boomin’s record-breaking run through Summer 2015, and Xanax too. “Coordinate” lurches under a synth melody from TM88, with a hook that’s guaranteed to feature on every fit-pic caption this year: “Coordinate the Xan with the lean in my rockstar skinnies”. Executive-produced and mixed by Houston legend Mike Dean, Birds features some of the most lush production this year, ensuring that the project will at least rest easy on the ears. If you only listen to music because it sounds cool on Xanax, I guess you’ll like this album. At the end of the day, it’s 54 minutes of actual music. To focus too much on the context of a Travis Scott album would be reductive in nature, though. It has nothing to do with his music, message, fans, whatever, but it sounds as cool as he wants it to be.
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It conjures imagery of doves pouring out of an Atlanta kitchen window while Curtis Snow cooks crack in a Pyrex pot. The album credits just fuel his status as the shape-shifting kid with cool friends.Įven the title - Birds in the Trap Sing McKnight - feels fit for some sort of luxury-trap motion picture. Yet, like Khaled, Travis Scott is more brand than man. In a way, it’s actually remarkable how he coordinates appearances from Kendrick Lamar and Andre 3000 to make a project that doesn’t feel like a DJ Khaled album. Much like how Kanye West has made a living out of orchestrating unlikely collaborations (think: Chief Keef with Justin Vernon) to make music greater than the sum of its parts, Travis tailors the red carpet for each of his album’s guests. Maybe “the culture” needs an annual aggregator in the form of a “Travis Scott Album” - a summary of the year’s most exciting entrants and sonic trends. He’ll never be as influential or memorable as any of the rappers he poses with, but that’s fine. Birds in the Trap Sing McKnight is a continuation of what Travis has always done it’s like he just changed clothes and invented a new gang sign.